Somerset Open Studios 2016

It’s not Somerset Arts Weeks now, it’s Somerset Open Studios. If you click on that title at the top of the website you’ll get a selection of the new work I’m showing, under the headings ‘Winter and Spring’ and ‘Summer’, for reasons which I hope will be obvious!

I’m very happy  to say that I’ve been so lackadaisical about keeping the website up to date that I’ve already sold Four pictures!

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Somerset Art Weeks 2016

Yes, it’s that time of year again, and don’t ask me where the rest of it has gone. I had a great time with my canine visitor Carson, and it proved very creative, what with having to get up and out early, with camera, sketch pad and dog treats. But translating the experiences into actual pictures took time. Although I managed to continue to chronicle Carson’s adventures on facebook, not much of it made it onto WordPress.

I have a bit of an idea to get it all into a book, but with drawings rather than photos and I haven’t really had time to develop a drawn doggy character – except this one:  002

Still my local summer views certainly carry on well thematically from the earlier ones. The tracks and fields were in full summer glory and are on a new page in the gallery.

I’m putting some of my favorites here though:p1040066-croppedp1040086-croppedp1040092-croppedp1040106-cropped

 

I had a different challenge of getting more cards organised, including a new Christmas image, and this is the result:p1040112-cropped

Crickey – that’s the rest of the year anticipated!

 

 

 

 

But is it Art?

I’ve had a Guest staying for the last few days – Carson, a bouncy 15-month-old black Labrador who normally lives in London. The family have gone on holiday to America and Carson is savouring a new life in the country. I wanted to amuse my grandchildren by getting him to write a holiday diary. Instead I found facebook more convenient, and more fun.

But there’s been a hugely enjoyable side-effect of having to get up and go out first thing int he morning, now that Summer’s come.It has really stimulated the creative response: the light, the shadows, the skies, the wild flowers, the harvesting…quite mind blowing, and inspirational, if I ever get time to paint!

Camera quickly followed in the dogbag, after the poo-bags, lead, treats…then, inevitably a sketchpad and pen – followed next day by my glasses:couldn’t see what I was drawing and contact lenses too fiddly first thing.

Carson has become well-known in the village, thanks to his  posts on facebook. But – Animal Alert – I thought I’d repost some extracts here, along with my photos. Note – I didn’t say ‘my photography’. I know my place.. So if you can’t abide  Dogs (or Cats) bear with…or ignore. This dog is only for a holiday!

Day 1

Rural reflections from a Dog about Town: yesterday I arrived from Clapham to spend 3 weeks in the countryside while my lot have swanned off to California. First impressions: there are a lot of quite big fourlegged things around – who aren’t at all scared of me. There are some white me-sized things who I suspect are, if I was allowed to test my theory. There are also double the number of cats than I’m used to and I’m not supposed to chase them. There are no kids and the people are nice but really rather boring. One takes me for walks but at home they sit down a lot. My people left me with food and toys, including a chunk of Antler Horn, but when it comes to recycling I must say I much preferred the dead mouse that one of the cat things left under the table for me. Yours somewhat baffled, Carson.

Anne Farmer's photo.

 

 

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May – just in time?

Just spotted the calendar (hi tech, me). So nearly failed to achieve my target of posting at least once a month.

I had to wait to publish my most recent work which is a painting of our local, the good old Ring O’Bells, Moorlinch. This was a wedding present for Trish and Clive the landlady and landlord, handed over at a wonderful party at the pub last Friday. I’m sure I was not alone in feeling I’d perhaps had too good a time on Saturday!  (Actually I typed ‘satyrday’. That sounds like the title for a Nancy Farmer http://www.nancyfarmer.net Painting so I must suggest it to her).

Anyway it was a while since last ‘did’ the pub and it was quite difficult to avoid being spotted, but I think I got away with it:

P1030425 Pub cropped

A couple of weeks back I finally decided ‘it is what it is’ , photographed my latest version of ‘The impossible View’  (as described in my April post) also known as ‘Looking out out over the Levels,’ and took it off the stretching board:

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I’m sure it won’t be the last time I’ll tackle this one!

I did discuss this project with a very sympathetic artist and her colleague who came to our Moorlinch Art Group and gave us a memorable workshop on creating sketchbooks: Sue Lewington and Jackie Hichens run excellent classes that really made us look differently on our sketchbooks   http://www.travellingartclassesandholidays.co.uk

I couldn’t resist buying one of their handmade sketchbooks and ‘christened’ it straight away:

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photo 4They brought masses of resources with them and we all got stuck in. Thanks Sheila Jones for organising!

 

 

An irresistible and impossible view again

Last Sunday, I found myself at the top of ‘our’ hill. After some very Aprilish weather, it was a day of huge sapphire skies with luminous clouds – oh, and beneath the sky the flat patterned fields with the mauve smudge of hills on the horizon behind the Levels.

And there’s the difficulty : the view is panoramic, miles wide from side to side….and from my point of view, holding up a pencil to measure, a mere six inches or so from top to bottom.  This is about half the panorama!

I’ve attempted it may times –  two years ago, later in the year, I did some ‘extracts’:

So I don’t know really know if I can add anything else. But I’ve started, as Magnus Magnusson used to say… but will I finish?

So far I’ve done two small sketches:

They’re about 5″x 7″.

The next step…will be reported…in due course!

Slow March

The title conveys my pace of work, not the fact that March has been a slow month – au contraire, we’re nearly at the end of it and I have been silent all month!

I’ve been enjoying the local lanes and hedges, in that period where everything is twiggy and you can see much further than when all the greenery bursts forth.

I’ve been particularly inspired, again, by the work of Rowland Hilder who excels at that kind of low key winter landscape. We don’t have any of his beloved oasthouses in Somerset but we do have the hedges, lanes , bare trees and wheelruts.

This selection is based on the subtle, rather than spectacular glimpses that are seen  by the farmers, walkers, riders, cyclists and motorists who use the triangular network of lanes between Moorlinch, Stawell and Sutton Mallet. Beauty on our doorstep!

 

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This view looks beyond Sutton Mallets to the Quantock Hills.

P1030079 square

The maize stubble is wonderful for showing the shape of the contours – this is sketched just past Fursedown Farm.

More lovely hedges showing how the lane loops, between Tapmoor and Sutton Mallet Farm:

P1030103 cropped

 

 

 

 

January blues…reds…and yellows

It never pays to absent yourself from your blog for too long because while your back’s turned Word press comes up with some new editing wizardry to cause some brow-furrowing.

Anyway, enough of that. January has been unexpectedly busy (and profitable) on the Art beat, it turns out. I’ve had a couple of commissions, which I can’t talk about yet, and I’ve given my first workshop!

Just before Christmas I had a long, flattering and hence persuasive request to give a workshop to a local Art Group. Some members had visited my exhibition during Somerset Art Weeks and asked if I ever did such things and I replied that I didn’t – too scary, too difficult, too time consuming.

But this group has a very nice, friendly and encouraging organiser.  So this week on Wednesday I used my village Art group as guinea pigs and on Friday went out into the big wide world (well, Taunton) with my easel, paintings, paints, books, photocopies and tracing paper.

The group was interested in seeing and trying some of my painting techniques, so after discussion I decided to choose a simple image that offered lots of scope for messing about with paint rather than too many time-consuming problems of composition.

P1010059 cropped

I created a level playing field  – to be more accurate it was a snowy hillside with lots of hoof-marks – and provided everyone with an outline drawing to trace or re-draw. I thought they might be insulted at the prescriptiveness of the situation but most seemed happy to start from the same point. In true Blue Peter style I also provided a ‘step by step’ sheet prepared earlier to show  how I arrived at my result:

4 pony views

 

I explained and demonstrated that my method was to do as little palette mixing as possible, rather to let the paints (blue, red, yellow) combine on the paper and see what happened, starting with a bit of undefined background and foreground. Snow and snowy skies lend themselves to a lovely free, sloshy approach, and liberal use of a squirty bottle of water combined with kitchen paper (my two secret weapons!)

Later when everyone had got some paint on the paper I painted in some of the darks on the pony, adding burnt sienna to the mix.  I think they were quite surprised to see my palette at this stage as proof that you don’t need to do much stirring and mixing :

palette

The final stage was ‘finding’ a background in the swirls and lines that had emerged. But by then there were as many different versions of my original painting as there were artists in the room, which was exciting and gratifying too.  Here is a selection:

 

 

 

Christmas at Moorlinch

Long time, no blog! Meant to write about preparations for our Moorlinch Artists’ Christmas offering and now it’s happening anyway.

Print screen

I’m joined again by Sheila Jones, a resident of Stawell a couple of villages away (but we don’t hold that against her!) and Kez – Keziah Herbert to be correct – who has held the fort at our Moorlinch Art Group sessions where I’ve been notably absent for much of the year. Kez has just produced a beautiful Colouring Book for sale and is even now demonstrating what fun it is:

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I’m quite pleased with my  new product: boxed notelets featuring some of my black and white drawings. I have a regular supply of these as every month I illustrate the front page of the parish magazine and the back page of the Polden Post.  Here is my marketing approach:Black and white pollarded willows

And I learnt how to  make up boxes, too (eventually). This is me displaying my wares:

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So we’ve found time to take pictures:

20151204_125042Sheila

And finally, here’s our store of Christmas goodies on offer – the edible, as opposed to artistic,  kind. Merry Christmas!

20151204_125111Christmas goodies

 

 

 

 

Within these five walls

…as I sit in my gallery for the Somerset Arts Weeks 2015 exhibition. The shape of the room and the different areas of paintings gives me at least five areas of work. As they’re in different media and styles they sometimes need to be kept well apart from each other.

Then there is the work of my colleague and friend Sheila Jones though on the whole her silk paintings harmonize pretty well  with my work.

So here I am surrounded by my ‘stuff’:

In the cider barn gallery, Spring Farm, Moorlinch

In the cider barn gallery, Spring Farm, Moorlinch

The ‘Field and Moor’ series has more then usually vibrant colours that sit happily with Sheila’s butterfly wing designs:

colourscape: scarves and pictures

colourscape: scarves and pictures

Even bolder, and definitely corralled on another wall are two collages and mixed media flower pictures: Holly hocks and Poppies, plus a painting of Sweet peas:

Hollyhocks, Poppies and Sweetpeas

Hollyhocks, Poppies and Sweetpeas

Sandwiched between  the two bright painting walls comes a restrained black and white collection, drawings made in Troutbeck, near Ambleside, in the Lake District:

By the postbox i, 2, and 3, and other buildings

By the postbox i, 2, and 3, and other buildings

Just a couple of walls to go: new work from ‘just around the corner’: barns at Spring Farm, and Swans and Pollarded Willows down on the Somerset levels:

Ferguson Tractor - 'Hidden Trasure' in the barn, assorted barns

Ferguson Tractor – ‘Hidden Trasure’ in the barn, assorted barns

Dancing Trees, Fishing nets ion la Rance, Quantock Ponies and Glastonbury Abbey

Dancing Trees, Fishing nets ion la Rance, Quantock Ponies and Glastonbury Abbey

And that’s it: walled in. Quite enjoyably, actually!